Y/Project Men’s Fall 2019


As one of a many successful platforms for men’s, a stress of a guest engineer container of Pitti Uomo was tangible in a particular Y/Project collection that felt some-more worldly in tinge and reduction duped out than usual, nailing a ideal change of investigation and wearability.

Guests nearing during a Santa Maria Novella basilica in a dim were handed torches to assistance lead them outward to a Large Cloister, with a crossfire of beams picking out sum of a frescoes and garden, and eventually a panoply as a models upheld by to a sound of ghoulish chants. It lent a scary vibe, with a plays on volumes, pleats and slashed panoply evoking Renaissance dress. But it also done it tough to see a details. 

Also charity a daze was a strength of a women’s, from a prolonged tartan skirts to a stellar demeanour pairing a brownish-red flier coupler tucked into a mistake leather dress accented with leather piping. The elongated shirtdresses combined to a resounding atmosphere, floating by like apparitions, ideally consistent with a venue.

Designer Glenn Martens explored classical sartorial codes, promulgation out tailored pants with encrusted pop-up vents during a hips, and a women’s camel tip coat. Suits ranged from a double-breasted boxy gray character revisited, Y/Project-style, with an uneven lapel with a draped 3-D outcome to a double-breasted, slim, peak-lapel mafiosi suit, echoed in a sensuous brownish-red flannel chronicle that worked only as good for women’s. 

The pinstripe thesis picked adult in optical-illusion wavy lines printed on denim, and on a pompous shirts with striking piping accents, while a packet immature fit layered with an oversize black mistake shearling coupler had a mafioso vibe.

Martens’ gusto for perverting informed men’s wear staples took moody in a standout knits in tartan and argyle patterns with removable second-skin pure overlayers printed with a same motif. 

Lending a sportif travel corner were a cold black cleared velvet denim looks, also accented with striking leather piping. Key prints enclosed imaginary medusa motifs on till-ringer corpulent knits and fleece-style boiled nap jackets.

The new men’s shoes collection, meanwhile, went from Michael Jackson-inspired trompe l’oeil black-and-white sock boots, interconnected with a brand’s initial tuxedo, to waders with pointy pleats that were far-reaching adequate to tuck pants into. Men’s bags also done an appearance, including a black nylon character dangling within a brownish-red leather harness, ragged hoisted on a shoulder like a poor blaster.

The finale, with a models entertainment in arrangement on a illuminated height in a core of a garden, underscored a clarity of a crystallizing of prophesy for a engineer as he continues to increase his vocabulary. Even if a guest were left stumbling in a dark. 


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